∫Sť𝖗ҿâʍϊחǥ My Spy Watch Movie
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Runtime: 102 Minute
country: USA
User Rating: 6,4 of 10
A hardened CIA operative finds himself at the mercy of a precocious 9-year-old girl, having been sent undercover to surveil her family
Dave Bautista
Hes invisible, I cant see him.
Almost the same plot as Collateral but the funny version :P. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy © 1996-2014,, Inc. or its affiliates. This got me in tears lmao 😂. You were probably better off having from the producer of Leon if you wanted to give the trailer any merit. Going by this trailer though, it's quite a soulless and idiotic departure from Leon. My Spy movie watch for free. After 3 minutes one of my sons whispered to me "What is this? I don't like it."
I think that about sums it up - What is this movie? What is it trying to be? And when, oh when, will it end?
It's a bit too violent and has too many pointless, non-story progressing scenes to be a kids' movie but it is definitely not for adults. All the good bits are in the 30-second advert that convinced us to go and see it.
We saw a morning session at the cinema. At 10.57am I checked my watch, at 11.01am I checked my watch and was stunned to find time had completely slowed.
Although Chloe Coleman is an excellent actress and very watchable, every other character was unbelievable, unappealing and terribly written. What a waste of clever people like Kristen Schaal (or as I call her, Mel from Flight of the Conchords.
My older son thought it was okay but when pressed, couldn't name a favourite scene. The younger one gave up and ended up playing a game on my phone about an hour in.
These are some of the best movie trailers I've ever seen. The movie starring Jolie you are talking about is actually Salt. Finally he won 😍. Omg that robot movie got made. lmfao. Uh yeah just lost like 3 people in the span of 3 months last year and I love the truth of this. Drug Information Wants to be Free Dear Readers: This article was written by the top bidder for one page of editorial space in last December's Strangercrombie® auction. It is about drugs (specifically about how to obtain information on drugs), and drugs are something we here at The Stranger certainly know something about. We ain't the only ones--rumor has it musicians know a thing or two about drugs as well, which is why we've placed this here drug article in the music section. So please enjoy, and remember: Just say no--unless, of course, you choose to say yes. And if you say yes? Know what you're getting yourself into... which brings us back to this article, which, as stated before, is about how to get information on drugs. You see, it all works out in the end. --Eds. tried acid for the FIrst time 12 years ago, I didn't realize that "acid" and "LSD" were the same substance. I was an ignorant college kid in the Midwest, at a time before the Internet was ubiquitous, back when the only information about illicit substances in our college library was a couple books' worth of Timothy Leary's lunatic ramblings about "cosmic consciousness. " An explosion of new substances has hit the streets since then, thanks largely to the research of renegade chemist Alexander Shulgin. He and his wife Anne published two groundbreaking works, Phenethylamines I Have Known and Loved (PIHKAL) and Tryptamines I Have Known and Loved (TIHKAL). These books are massive collections of recipes for making novel psychoactive substances, along with personal experience reports about many of the drugs from Shulgin and his friends. Shulgin is so widely respected that when the DEA eventually raided his lab, agents brought along copies of PIHKAL for him to autograph. Now the underground is filled with drugs like 2C-T-21, 5-MeO-DIPT ("the foxy methoxy"), AMT, DPT, and more, alongside more well-known characters like ketamine, GHB, 2C-B, ecstasy (MDMA), and good old LSD. Each one holds promise and peril. If you believe your federal government, each and every one is a bullet aimed straight at your nervous system; if you believe your pot-addicted stoner buddies, each one is a kick-ass party and there's no need to come down. Clearly, the truth lies somewhere in between. Enter the Vaults of Erowid (), an independent, member-supported source of unbiased, nonjudgmental information about psychoactive plants and chemicals. Since its inception in 1995, Erowid has grown into an incredibly well-respected resource for a tremendous range of users: from college students to parents, from health professionals to law enforcement, from researchers to curious laypeople. When Rolling Stone did a story on 2C-T-7 and called the DEA for information, the DEA referred the journalist to Erowid. Teachers and educators use Erowid; counselors and medical professionals use Erowid; drug-policy-reform and harm-reduction organizations use Erowid. Because Erowid accepts no paid advertisements and no government support, it is a truly independent aggregator and publisher of reliable information about nearly 250 psychoactive chemicals, plants, herbs, pharmaceuticals, and nootropics ("smart drugs"). This invaluable library is provided free to the public. As the Guardian said, "Due to the independent nature of, it is now cited by leading research agencies as a useful first port of call for anyone who is keen to learn more. " In 2003, Erowid received more than 7. 5 million unique visitors, serving an average of 30, 000 unique visitors a day, who viewed about 13 pages each. More than 26, 000 content files are available for perusal, a combination of chemical, medical, legal, and experiential information. Erowid is hosted free of charge on the legendary Hyperreal network, and somehow this amazing resource manages to survive and grow with only 2. 5 full-time staffers working on an absolute shoestring budget, and a small but dedicated crew of volunteer staffers rounding out the effort. Erowid is not a proponent of any of these drugs. It doesn't try to convince people to take them, or for that matter, not to take them. Erowid's value is in collecting and publishing as much information as possible about both licit and illicit substances in an attempt to broaden the cultural dialogue beyond shrieking war-on-drugs propaganda. It offers balanced, reliable information about both the risks and the benefits of drug use. And as with many things almost too good to be true, Erowid relies on member support to survive. That's where you come in. Whether you feel drugs are a fool's errand or whether you're an ardent proponent of psychedelics or other substances, you may still realize the value and critical importance of such a vital repository of data that is independent of mass media and government control. More than 94 million Americans admit to trying marijuana, a drug widely known to be vastly less harmful than alcohol. Despite this, the federal government has opted to savagely attack the very idea of the medical application of marijuana--often, as seen in Washington State and California, against the wishes of city and state officials. Recently, high-profile research published in the respected journal Nature had to be retracted because scientists were accidentally studying methamphetamine instead of MDMA in their rush to prove a point. Grave methodological problems remain in many government-funded studies that attempt to prove ecstasy is dangerous. The Office of National Drug Control Policy was caught buying not just commercials, but placement of anti-drug messages within the actual stories of prime-time television programs--your tax dollars at work reprogramming your own ideas! But although some of the heady idealism of the '60s is long gone, the use of psychedelics in particular has spread beyond what anyone could call a "counterculture. " Whether you partake or not, it's entirely possible someone close to you uses psychedelics for spiritual, psychological, or recreational benefit. You can't pigeonhole a psychedelic user. I personally know practicing physicians, heads of surgery, engineers, actual rocket scientists, computer scientists and programmers, geneticists, nationally respected journalists and authors, lawyers, college professors, corporate managers, and successful entrepreneurs who incorporate psychedelics into their lives, along with the obvious cross-section of musicians and artists who contribute to culture in so many ways. We're all around you. There are more of us all the time. The country is hardly collapsing into fits of drug-induced hysteria. So if the notion of such a data treasure appeals to you, please consider becoming a member. Yes, you can get a mug or a T-shirt. But more importantly, you can have an impact on how our society interacts with psychoactives. At a time when tobacco and alcohol wreak a devastating toll on our country, yet researching the use of MDMA to help treat victims of posttraumatic stress disorder is a shocking challenge to the system, it's clear that attitudes have to change. The government doesn't want you to have the truth, and that's not just a paranoid fantasy. But the truth is already out there; now we need to make sure it stays there. Please visit or e-mail for more information, or send a check to Erowid, P. O. Box 1116, Grass Valley, CA, 95945.
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Watch My Full Movie Online Free Streaming Watch 'My Spy' full movie download in tamil... Another Oscar ceremony happened, and we got our fair share of joy and disappointment. After Parasite surprised the world and took Best Picture, it seems like the game has changed for the awards race, now that non-English speaking films can actually fight and be recognized as well as classics as… Green Book. The Oscar race is still full of pain and glory, and even though the year has barely started, we have a bunch of movies that are fighting for air. And here’s 50 of them. Yes, I had some free time in my hands and this is a cool hobby, so I took the liberty to introduce most of the movies that will have Film Twitter entertained for the following 12 months. I say most, because there are always contenders who come out of nowhere later in the year, so this is the starter set. Here we go. -Annette: Since Parasite’s road to the Oscars started at Cannes, it seems fair to talk about a movie that is circling a premiere in the world stage that is set in France. After delivering weird, indie classics like Mauvais Sang and Holy Motors (yes, the kind of movies that make you seem like a snob when you recommend them to people), Leos Carax is making his first movie spoken in the English language… and it has a musical screenplay written by the cult rock duo of Sparks. Recently robbed Adam Driver and previous Oscar winner Marion Cotillard sing in this tale of a stand-up comedian and a famous soprano singer who rise and fall in Los Angeles while their daughter is born with a special gift. It seems like a wild bet, but we already know that Carax is a master with musical moments, so this is one of the most intriguing question marks of the year. -Ammonite: It’s time to talk narratives. On the one hand, we have Kate Winslet, a known name who hasn’t been very successful in the Oscar race since her Oscar win for The Reader over a decade ago (with the exception being her supporting performance in Steve Jobs, where she had a weird accent). On the other, we have Saoirse Ronan, a star on the rise who keeps collecting Oscar nominations, with 4 nods at the age of 25, including her fresh Best Actress loss for Little Women. What happens if we put them together in a drama set in the coasts of England during the 19th century where both of them fall for each other? That’s gonna be a winning formula if writer/director Francis Lee (who tackled queer romance in his acclaimed debut God’s Own Country) nails the Mary Anning story, and Neon (the distribution company founded three years ago that took Parasite to victory) is betting on it. -Benedetta: We know the Paul Verhoeven story. After isolating himself from Hollywood for over a decade, he took Isabelle Huppert to an Oscar nominated performance with the controversial, sexy, dark and funny thriller Elle. Now, he’s back with another story that perks up the ears, because now he’s covering the life of Benedetta Carlini, a 17th-century lesbian nun who had religious and erotic visions. If you know Paul, you already can tell that this fits into his brand of horniness, and a possible Cannes premiere could tell us if this has something to carry itself to Oscar night. -Blonde: With a short but impactful directorial credits list that takes us from Chopper, to The Assassination of Jesse James by the Coward Robert Ford to Killing Them Softly, Andrew Dominik is back with a film about Marilyn Monroe, a woman who has transcended the ideas of fame and stardom, in ways that are glamorous and nightmarish at the same time. After failing to launch with Naomi Watts or Jessica Chastain, the rising Ana de Armas takes the lead in the retelling of Monroe’s troubled life based on Joyce Carol Oates’ novel, which is said to be covered in the screenplay as somewhat of a horror movie. We don’t know what that means yet, but Netflix is gonna push hard for this one, especially considering how the Academy loves throwing awards to stars playing previous stars, and that also can possibly include co-stars Bobby Cannavale and Adrien Brody. -Breaking News in Yuba County: While he hasn’t gone back to the heights of his success achieved by the box office and award success of The Help (a movie that did not age well), Tate Taylor is still enjoying himself economically due to recent thrillers like The Girl on the Train and Ma. For his next movie, he’s made a dramedy that once again reunites him with Oscar winner Allison Janney, where she plays a woman who has to keep appearances and a hidden body when she catches her husband cheating on her, and then he dies of a heart attack. With a cast that also includes Mila Kunis, Regina Hall, Awkwafina, Samira Wiley, Wanda Sykes, Jimmi Simpson and Ellen Barkin, this could be a buzzy title later this year. -C’mon C’mon: You may love or hate whatever Joaquin Phoenix did in Joker, but you can’t deny the benefit of playing the Crown Prince of Crime in an Oscar-winning performance. The blank check that you share with indie directors afterwards. Now that Joaquin’s cultural cachet is on the rise, Mike Mills gets to benefit with this drama that stars Phoenix and Gaby Hoffmann, with him playing an artist left to take care of his precocious young nephew as they forge an unexpected bond over a cross country trip. We only have to wonder if A24 will do better with this movie’s Oscar chances compared to 20th Century Women. -Cherry: After killing half the universe and bringing them back with the highest grossing movie of all time, where do you go? For Joe and Anthony Russo, the answer is “away from the Marvel Cinematic Universe”. The Russo brothers are trying to distance themselves and prove that they have a voice without Kevin Feige behind them, with a crime drama that’s also different than their days when they directed You, Me and Dupree or episodes of Arrested Development and Community. To help them in the journey, they took Tom Holland (who also needs to distance himself from Spider-Man, lest he ends up stuck to the character in the audience’s eyes) to star in a crime drama based on former Army medic Nico Walker’s memoir about his days after Iraq, where the PTSD and an opioid addiction led him to start robbing banks. -Da 5 Bloods: After bouncing back from a slump with the critical and commercial success of BlackKklansman, Spike Lee is cashing a Netflix check to tell the tale of four African American veterans who return to Vietnam to search for their fallen leader and some treasure. With a cast that includes Delroy Lindo, Clarke Peters, Isiah Whitlock Jr, Paul Walter Hauser and Chadwick Boseman, this sounds like an interesting combo, although we still should remember the last time that Spike tried his hand at a war movie, with the dull Miracle at St. Anna. -Dune: If you are on Reddit, you probably know about the new film by r/movies ’ new Messiah, Denis Villeneuve. While the epic sci-fi novel by Frank Herbert is getting a new chance in the multiplexes after that David Lynch movie that was forgotten by many, some are hoping that this will be the beginning of a new franchise (as seen by the release date of December 18, taking the spot of the usual Star Wars opening), and a return to the whole “remember when stuff like Return of the King or Fury Road were nominated for Best Picture? ” question. Timothee Chalamet will be riding a lot of hope, and sandworm. -Everybody’s Talking About Jamie: As you start to see, there are several musicals that are gonna be fighting for attention over the next year, and Annette was the first one. Now, we also have this adaptation of the hit West End production, that centers around a gay British teenager who dreams of becoming a drag queen and get his family and schoolmates to accept his sexuality. With a cast that mixes young unknowns, familiar Brits (Sharon Horgan, Sarah Lancashire and my boy Ralph Ineson) and the previously nominated legend that is Richard E. Grant (who is playing a former drag queen named Loco Chanelle), the creative team of the stage musical will jump to the big screen with the help of Fox Searchlight (sorry, just Searchlight), who has clear Oscar hopes with a release date right in the middle of awards heat, on October 23. -Hillbilly Elegy: Even though the Parasite victory gave many people hope for a new Academy that stops recognizing stuff like previous winner Green Book… let’s be honest, the Academy will still look for movies like Green Book. This year, many people are turning their eyes towards Ron Howard’ adaptation of J. D. Vance’s memoir about his low income life in a poor rural community in Ohio, filled with drugs, violence and verbal abuse. If this sounds like white trash porn, it doesn’t help to know that Glenn Close, who has become the biggest living Oscar bridesmaid with seven nominations, will play a character called Mamaw. And if that sounds trashy, then you have to know that Amy Adams, who follows Glenn with six nominations, is playing her drug-addicted, careless daughter. I don’t want to call this “Oscar bait”, but it sure is tempting. -I’m Thinking of Ending Things: After his stopmotion existential dramedy Anomalisa got him a Best Animated Feature nomination at the Oscars but at the same time bombed at the box office, Charlie Kaufman is getting the Netflix check. This time, he’s adapting the dark novel by Iain Reid, about a woman (Jessie Buckley, who is on the rise and took over the role after Brie Larson had to pass) who is taken by her boyfriend (Jesse Plemons) to meet his parents (Toni Collette and David Thewlis), in a trip that takes a turn for the worse. If Kaufman can deliver with this one, it will be a big contender. -In the Heights: Yes, more musicals! This time, it’s time to talk about Lin-Manuel Miranda’s first Tony-winning musical, that was overshadowed because of his other small play about some treasury secretary. Now, his Broadway ensemble tale about life in a neighborhood in Washington Heights is jumping to the movie screen with Jon Chu at the helm, following the success of Crazy Rich Asians. This Latino tale mixes up-and-comers like Anthony Ramos (who comes straight from Hamilton and playing Lady Gaga’s friend in A Star is Born), names like Corey Hawkins and Jimmy Smits (who is pro bits), and Olga Merediz, who starred in the Broadway show as Abuela Claudia and who could be the early frontrunner for Best Supporting Actress, if Chu allows her to shine like she did onstage. -Jesus Was My Homeboy: When looking at up-and-coming Black actors right now in Hollywood, two of the top names are Daniel Kaluuya and Lakeith Stanfield, who already appeared in the same movie in Get Out, which earned Kaluuya a Best Actor nomination. This time, they share the screen in Shaka King’s retelling of the story of Fred Hampton (Kaluuya), an activist and Black Panther leader… as well as the story of William O’Neal (Stanfield), the FBI agent sent by J. Edgar Hoover to infiltrate the party and arrest him. With the backing of Warner Bros, this will attempt to make an impact with a clash of actors that will have to fight with an August release date, not the ideal time to release an awards movie. -King Richard: Starting with Suicide Squad, Will Smith has been trying to prove that he’s back and better than ever. Some attempts to get back to the top of the A-list (Aladdin, Bad Boys For Life) have worked, while others (Gemini Man, Spies in Disguise)... have not. But Will is still going, and now he’s going for his next prestige play as he plays Richard Williams, the coach and father of the tennis legends Venus and Serena, who pushed them to their full potential. While it’s weird that the father of the Williams sisters is getting a movie before them, it does sound like a meaty role for Smith, who has experience with Oscar notices with sports biopics because of what he did with Michael Mann in Ali. Let’s hope director Reinaldo Marcus Green can take him there too. -Last Night in Soho: Every year, one or two directors who have a cool reputation end up in the Dolby Theatre, and 2020 could be the year of Edgar Wright. After delivering his first big box office hit with Baby Driver, the Brit is going back to London to tell a story in the realm of psychological horror, which has been supposedly inspired by classics like Don’t Look Now and Repulsion. With a premise that supposedly involves time travel and a cast that includes Anya-Taylor Joy, Thomasin McKenzie, Matt Smith and Diana Rigg, Wright (who also co-wrote this with Krysty Wilson-Cairns, who was just nominated for Best Original Screenplay for her work in 1917) is making a big swing. -Let Them All Talk: Every year there’s more new streaming services, and that also means that there’s new players in the Oscar game. To secure subscribers to the new service, HBO Max has secured the rights to the next Steven Soderbergh movie, a comedy that stars Meryl Streep as a celebrated author that takes her friends (Candice Bergen, Dianne Wiest) and her nephew (Lucas Hedges, again) in a journey to find fun and come to terms with the past. The last time that Soderbergh and Streep worked together, the end result was the very disappointing The Laundromat. Let’s hope that this time everything works out. -Ma Rainey’s Black Bottom: Now that Netflix got the deal to adapt August Wilson’s acclaimed plays with Denzel Washington’s production company, the next jump from the stage to the screen is a meaty one. Viola Davis is playing blues singer Ma Rainey in this tale of a heated recording session with her bandmates, her agent and her producer in 1927, with a cast that also includes Chadwick Boseman, Glynn Turman and Colman Domingo. The Tony nominated play talked about race, art and the intersection of the two, and it’s gonna be explosive to see that unfold on screen, even if director George C. Wolfe’s previous filmography isn’t very encouraging. -Macbeth: In a shocking development, the Coen brothers are no more. Well, just this time. For the first time in his career, Joel Coen is making a movie without Ethan, and it’s a Shakespeare adaptation. Denzel Washington is playing the man who wants to be king of Scotland, and Frances McDormand is playing his Lady Macbeth. While this just started filming and it will be a race to finish it in time for competition in the awards race, the potential is there, and this project has everybody’s attention. -Mank: After scoring 24 Oscar nominations and only winning 2 awards last Sunday, Netflix has to wonder what else must they do to get in the club that awards them. They tried with Cuarón, they tried with Scorsese, they tried with Baumbach, they tried with two Popes, and they still feel a barrier. Now, the big gamble for awards by the streamer in 2020 comes to us in the hands of David Fincher, who is basically their friend after the rest of Hollywood denied him (Disney dropped his 20, 000 Leagues adaptation, HBO denied the US remake of Utopia, and Paramount drove World War Z 2 away from him). In his first movie since 2014’s Gone Girl, David will go black and white to tackle a script by his late father about the making of the classic of classics, Citizen Kane, with previous Oscar winner Gary Oldman playing the lead role of screenwriter Herman J. Mankiewicz. Will the Academy fall for the ultimate “power of da moviesshhh” story? -Minari: Sundance can be hit or miss with the breakout films that try to make it to the Oscars. However, you can’t deny the waves made by A24 when they premiered Lee Isaac Chung’s new drama there, ending up winning the Grand Jury Prize and the Audience Award in the US Dramatic Competition. If Parasite endeared Academy voters to Korean families, Steven Yeun hopes that the same thing happens with this story, where he plays a father in the ‘80s who suddenly decides to move his family to Arkansas to start a farm. Even though the reviews have been great, we must also remember that last year, A24 had in their hands The Farewell, another Sundance hit about an Asian family that ended up with no Oscar nominations. Let’s hope that this time, the Plan B influence (remember, that’s Brad Pitt’s production company, of Moonlight and 12 Years a Slave fame) makes a difference. -Next Goal Wins: It’s a good time to be Taika Waititi. Why? Taika Waititi can do what he wants. He can direct a Thor movie, he can win an Oscar for writing a comedy set in WW2 about a Third Reich boy who has an Imaginary Hitler friend, or he can pop up in The Mandalorian as a droid. Taika keeps winning, and he wants more. Between his press tour for Jojo Rabbit and his return to the MCU, he quickly shot an adaptation of a great documentary about the disgraced national team of American Samoa, one of the worst football teams known to man, as they try to make the cut for the 2014 FIFA World Cup. Everybody loves a good sports comedy, and Searchlight bets that we’ll enjoy this story led by Michael Fassbender as the new (and Dutch-American) coach in town who tries to shape the team for victory. -News of the World: Seven years after their solid collaboration in Captain Phillips, Paul Greengrass and Tom Hanks reunite for more awards love in what seems to be Universal’s main attraction for the Oscars. This time, Hanks stars in a Western drama based on Paulette Jiles’ novel where he plays a traveling newsreader in the aftermath of the American Civil War who is tasked with reuniting an orphaned girl with her living relatives. With a Christmas release date, Universal is betting big in getting the same nomination boost that 1917 is enjoying right now, and the formula is promising. -Nightmare Alley: Following his Best Picture and Best Director wins for The Shape of Water, everybody in Hollywood wondered what would Guillermo del Toro do next. Well, as Del Toro often does, a little bit of everything and nothing. Some projects moved (as his produced Pinocchio movie on Netflix, or his Death Stranding likeness cameo), others stalled and die (like his proposed Fantastic Voyage remake). But now he’s rolling on his next project, a new adaptation of the William Lindsay Gresham novel that already was a Tyrone Power film in 1947. This noir tale tells the story of a con man (Bradley Cooper) who teams up with a psychiatrist (Cate Blanchett) to trick people and win money, and how things get out of control. With a cast that also includes Toni Collette, Willem Dafoe, Rooney Mara and more, this could play well if it hits the right tone. -Nomadland: There’s breakout years, and then there’s the amazing potential of Chloe Zhao’s 2020. On the one hand, after making Hollywood notice her skill with the gripping story of The Rider, she got the keys to the MCU kingdom to direct the next potential franchise of Kevin Feige, The Eternals. And just in case, she also has in her sleeve this indie drama that she wrote and directed beforehand, with two-time Oscar winner Frances McDormand playing a woman who, after losing everything in the Great Recession, embarks on a journey through the American West, living as a van-dwelling modern-day nomad. If Chloe nails these two films, it could be the one-two punch of the decade. -One Night in Miami: Regina King is living her best life. Following her Oscar win for Best Supporting Actress in If Beale Street Could Talk and the success that came with her lead role in the Watchmen show on HBO, the actress is jumping to a new challenge: directing movies. For her big screen debut, she’s adapting Kemp Powers’ play that dramatizes a real meeting on February 25, 1964, between Muhammad Ali, Malcolm X, Sam Cooke and Jim Brown. -Over the Moon: After earning praise and Oscar nominations with I Lost My Body and Klaus, Netflix will keep its bet on animated movies with a film directed by the legendary Glen Keane. Who? A classic Disney animator responsible for the design of characters like Ariel, the Beast, Aladdin, Pocahontas, Tarzan and more](), and who recently won an Oscar for Best Animated Short for Dear Basketball, which he co-directed with the late Kobe Bryant. Now, he brings us a musical adventure centered around a Chinese girl who builds a rocket ship and blasts off to the Moon in hopes of meeting a legendary Moon Goddess. -Passing: It’s always interesting when an actor jumps behind the camera, and Rebecca Hall’s case is no exception. For her directorial debut, Hall chose to adapt Nella Larsen’s acclaimed novel set in Harlem in the 1920s, about two mixed race childhood friends (Ruth Negga and Tessa Thompson) who reunite in adulthood and become obsessed with one another's lives. With a premise that explores tough questions about race and sexuality, it looks like a tricky challenge for a first timer, but it would be more impressive if Hall manages to rise over the challenge. -Prisoner 760: An interesting part of following the awards circuit is looking at when it's appropriate to talk about touchy subjects in recent history. I’m saying that because this next movie tells the real life tale of Mohamedou Ould Slahi (Tahar Rahim), a man who, despite not being charged or having a set trial, is held in custody at Guantanamo Bay, and turns towards a pair of lawyers (Jodie Foster and Shailene Woodley) to aid him. Based on the famous journal that the man wrote while he was being detained, the movie (that also counts with Benedict Cumberbatch) is directed by Kevin Macdonald who, a long time ago, helped Forest Whitaker win Best Actor for The Last King of Scotland. Could he get back in the race after almost 15 years of movies like State of Play? -Raya and the Last Dragon: This year, Walt Disney Animation Studios’ bet for the Oscars is a fantasy tale set in a mysterious realm called Kumandra, where a warrior named Raya searches for the last dragon in the world. And that dragon has the voice of Awkwafina. Even though they missed out last Oscars when Frozen II got the cold shoulder by the Academy in Best Animated Feature, this premise looks interesting enough to merit a chance. One more thing: between last year’s Abominable, Over the Moon and this movie, there’s a clear connection of animated movies trying to appeal to Chinese sensibilities (and that sweet box office). -Rebecca: It’s wild to think that the only time that Alfred Hitchcock made a film that won the Oscar for Best Picture was with 1940’s adaptation of Daphne du Maurier’s psychological thriller novel, more muted and conventional than his more known classics. Now, Ben Wheatley and Netflix are giving the Gothic story a new spin, with Lily James playing the newly married young woman who finds herself battling the shadow of her husband's (Armie Hammer) dead first wife, the mysterious Rebecca. The story is a classic, and we have to see how much weird Wheatley stuff is in the mix. -Red, White and Water: Between 2011 and 2014, Jennifer Lawrence was everywhere and people loved it. She was America’s sweetheart, the Oscar winner, Katniss Everdeen. But then, everything kinda fell. Those X-Men movies got worse and she looked tired of being in them, her anecdotes got less charming and more pandering to some, she took respectable risks that didn’t pay off with Red Sparrow and Mother!, and some people didn’t like that she said that it wasn’t nice to share private photos of her online. Now, she looks to get back to the Oscar race with a small project funded by A24 and directed by Lila Neugebauer in her film debut, about a soldier who comes back to the US after suffering a traumatic brain injury in Afghanistan. Also, Brian Tyree Henry is in this, and it would be amazing if he got nominated for something. -Respect: You know what’s a surefire way to get Academy voters’ attention? Play a real singer! Rami Malek took a win last year for playing Freddie Mercury, Renee Zellweger just won the gold after portraying Judy Garland, and now Jennifer Hudson wants more Oscar love. Almost 15 years after taking Best Supporting Actress for her role in Dreamgirls, Hudson will try to get more by playing soul legend Aretha Franklin, in a biopic directed by first timer Liesl Tommy that practically screams “give me the gold”. How am I so sure? Well, see the teaser that they released in December (for a movie that opens in October), and tell me. It will work out better for Hudson than Cats, that’s for sure. -Soul: Unless they really disappoint (I’m looking at you, The Good Dinosaur, Cars 2 and Cars 3), you can’t have the Oscars without inviting Pixar to the party. This year, they have two projects in the hopes of success. While in a few weeks we’ll see what happens with the fantasy family road trip of Onward, the studio’s biggest bet of the year clearly is the next existential animation written and directed by Pete Docter, who brought Oscar gold to his home with Up and Inside Out. The movie, which centers on a teacher (voice of Jamie Foxx) who dreams of becoming a jazz musician and, just as he’s about to get his big break, ends up getting into an accident that separates his soul from his body, had a promising first trailer, and it also promises a score by Trent Reznor and Atticus Ross, as well as new songs by Jon Batiste. The only downside so far for the marketing was the fact that the trailer reveal led people to notice a suspicious trend involving black characters when they lead an animated movie. -Tenet: When Leonardo DiCaprio finally touched his Academy Award, an alarm went off in the mind of a portion of Internet users, who have made their next crusade to give themselves to the cause of getting Christopher Nolan some Oscar love. And his next blank check, an action thriller involving espionage and time travel, could pull off the same intersection of popcorn and prestige that made Inception both a box office hit and a critically acclaimed Oscar nominee. It helps to have a cast of impressive names like John David Washington, Elizabeth Debicki and Robert Pattinson, as well as a crew that includes Ludwig Goransson and Hoyte van Hoytema. In other words, if this becomes a hit, this could go for a huge number of nominations. -The Devil All the Time: As you may have noticed by now, Netflix is leading the charge in possible Oscar projects. Another buzzy movie that comes from them is the new psychological thriller by Antonio Campos, a filmmaker known for delivering small and intimate but yet intense and terrifying dramas like Simon Killer and Christine. Using the novel by Donald Ray Pollock, Campos will follow non-linearly a cast of characters in Ohio between the end of World War II and the beginning of the Vietnam War, with the help of an interesting cast that includes Tom Holland, Sebastian Stan, Robert Pattinson, Mia Wasikowska, Eliza Scanlen, Bill Skarsgard, Jason Clarke and Riley Keough. -The Eyes of Tammy Faye: After being known as a sketch comedy goofball because of The State, Wet Hot American Summer and Stella, Michael Showalter reinvented himself as a director of small and human dramedies like Hello, My Name is Doris and The Big Sick. For his next project, he’s gonna mix a little bit of both worlds, because he has before him the story of the televangelists Tammy Faye Bakker (Jessica Chastain, who has been really trying to recapture her early ‘10 awards run to no avail) and Jim Bakker (Andrew Garfield, who was previously nominated for Hacksaw Ridge, instead of Silence, because why). With a real life tale that involves Christian theme parks, fraud and conspiracies, this is the kind of loud small movie that Searchlight loves to parade around, especially as an actors showcase (Jojo Rabbit being the most recent example). The first image looks terrifying, by the way. -The Father: It’s weird to be in the middle of February and say that there’s already a frontrunner for the Best Actor race at the next Oscars. After its premiere in Sundance a couple of weeks ago, every prognosticator pointed in the direction of Anthony Hopkins (recently nominated for Best Supporting Actor in The Two Popes), who delivers a harrowing portrayal of an old man grappling with his age as he develops dementia, causing pain to his beleaguered daughter (recent winner Olivia Colman, who also got praised). With reviews calling it a British answer to Amour (in other words: it’s a hard watch), Florian Zeller’s adaptation of his acclaimed play not only benefits from having Hopkins and Colman together as a selling point, because it was acquired by Sony Pictures Classics, a distributor with experience in getting Academy voters to watch adult movies with heavy themes. If you don’t believe me, watch how they got Julianne Moore a win for Still Alice, as well as recent nominations for Isabelle Huppert for Elle, Glenn Close for The Wife, and Antonio Banderas for Pain and Glory. They know the game, and they are going to hit hard for Hopkins and Colman. -The French Dispatch: If you saw the trailer, we don’t need to dwell too much on the reasons. On the one hand, we have the style of Wes Anderson, a filmmaker who has become a name in both the critics circle and the casual viewer, with his last two movies (The Grand Budapest Hotel and Isle of Dogs) earning several Oscar nominations, including Best Picture for the one with Gustave H. Then, we have a long cast that goes from the director’s regulars like Bill Murray to new stars like Timothee Chalamet, and also includes people like Benicio del Toro. The only thing that could endanger the Oscar chances for this is that the story, an anthology set around a period comedy with an European riff on The New Yorker, will alienate the average Academy member. -The Humans: There’s the prestige of a play, and then there’s the prestige of a Tony-winning play. Playwright Stephen Karam now gets to jump to the director’s chair to take his acclaimed 2016 one-act story to the big screen, and A24 is cutting the check. Telling the story of a family that gets together on Thanksgiving to commiserate about life, this adaptation will be led by original performer Jayne Houdyshell (who also won a Tony for her stage performance), who’ll be surrounded by Richard Jenkins, Beanie Feldstein, Amy Schumer, Steven Yeun and June Squibb. If it avoids getting too claustrophobic or stagey for the cinema, it will be a good contender. -The Last Duel: Always speedy, Ridley Scott is working on his next possible trip to the Oscars. This time, it’s the telling of a true story in 14th-century France, where a knight (Matt Damon) accuses his former friend (Adam Driver) of raping his wife (Jodie Comer), with the verdict being determined by the titular duel. It’s a juicy story, but there was some concern when it seemed that the script was only being written by Damon and Ben Affleck (who’ll also appear in the film). A rape story written by them after the Weinstein revelations… not the best look. But then, it was revealed that they were writing the screenplay with indie figure Nicole Holofcener, who last year was nominated for an Oscar for her script for Can You Ever Forgive Me? Let’s hope that the story is told in a gripping but not exploitative way, and that it doesn’t reduce the role of Comer (who deserves more than some of the movie roles that she’s getting after Killing Eve) to a Hollywood stereotype. -The Power of the Dog: We have to talk about the queen of the indie world, we have to talk about Jane Campion. More than a decade after her last movie, Bright Star, the Oscar and Palme d’Or winner for The Piano returns with a non-TV project (see Top of the Lake, people) thanks to Netflix, with a period drama centered around a family dispute between a pair of wealthy brothers in Montana, Phil (Benedict Cumberbatch) and George Burbank (Jesse Plemons), after the latter one marries a local widow (Kirsten Dunst). According to the synopsis, “a shocked and angry Phil wages a sadistic, relentless war to destroy her entirely using her effeminate son Peter as a pawn”. Can’t wait to see what that means. -The Prom: Remember the Ryan Murphy blank check deal with Netflix that I mentioned earlier? Well, another of the projects in the first batch of announcements for the deal is a musical that he’ll direct, adapting the Tony-nominated show about a group of Broadway losers (now played by the one and only Meryl Streep, Nicole Kidman, Andrew Rannells and, uh, James Corden, for some reason) who try to find a viral story to get back in the spotlight, and end up going to a town in Indiana to help a lesbian high school student who has been banned from bringing her girlfriend to the prom. The show has been considered a fun and heartwarming tale of acceptance, so the movie could be an easy pick for an average Academy voter who doesn’t look too hard (and you know that the Golden Globes will nominate the shirt out of this). It’s funny how this comes out the same year than Everybody’s Talking About Jamie, and then it’s not funny realizing that Film Twitter will pit the two movies against each other. -The Trial of the Chicago 7: After getting a taste of the director’s taste with Molly’s Game, Aaron Sorkin wants more. For his second movie, he’s tackling one of his specialties: a courtroom drama. And this one is a period movie centered around the trial on countercultural activists in the late ‘60s, which immediately attracts a campaign of how “important” this movie is today’s culture. To add the final blow, we have a cast that includes Sacha Baron Cohen, Eddie Redmayne, Yahya Abdul-Mateen II, Jeremy Strong, Joseph Gordon-Levitt, Frank Langella, William Hurt, Michael Keaton and Mark Rylance. If Sorkin can contain himself from going over the top (and with that cast, it would be so easy to surrender to bouts of screaming and winding speeches), this could be one of the top contenders. -Those Who Wish Me Dead: Having made a good splash in the directorial waters with Wind River, Taylor Sheridan (also known for writing the Sicario movies, the Oscar-nominated Hell or High Water or that Yellowstone show that your uncle raves about on Facebook) returns with yet another modern Western. For this thriller based on the Michael Koryta novel, Angelina Jolie stars as a survival expert in the Montana wilderness who is tasked with protecting a teenager who witnessed a murder, while assassins are pursuing him and a wildfire grows closer. -Untitled David O. Russell Project: Following the mop epic Joy, that came and went in theaters but still netted a Best Actress nomination for Jennifer Lawrence, the angriest director in Hollywood took a bit of a break (it didn’t help that he tried to do a really expensive show with Amazon starring Robert De Niro and Julianne Moore that fell apart when the Weinstein exposes sank everything). Now, he’s quickly putting together his return to the days of Oscar love that came with stuff like The Fighter, Silver Linings Playbook and American Hustle, with a new movie that is set to star Christian Bale, Margot Robbie and Michael B. Jordan. Even though we don’t know many details (some people are saying the movie is called Amsterdam) except for the fact the movie hasn’t started shooting yet, David is a quick guy, so he’ll get it ready for the fall festival circuit. If there’s one thing that David O. Russell knows (apart from avoid getting cancelled for abusing people like Lily Tomlin, Amy Adams and his niece), it’s to make loud actor showcases. -Untitled Nora Fingscheidt Project: When Bird Box became one of the biggest hits on Netflix history, the streamer decided to keep itself in the Sandra Bullock business. Sandy’s next project for Ted Sarandos is a drama where she plays a woman who is released from prison after serving time for a violent crime, and re-enters a society that refuses to forgive her past. To get redemption, she searches her younger sister she was forced to leave behind. With the direction of Fingscheidt, who comes from an acclaimed directorial debut with Systemsprenger (Germany’s submission to the last Academy Awards), and a cast that also includes Viola Davis, Vincent D’Onofrio and Jon Bernthal, this will also hopefully try its luck later this year. -Untitled Paul Thomas Anderson Project: We don’t know if this movie will be ready for the end of the year (although last time, he managed to sneak Phantom Thread under the buzzer and earn several Oscar nominations, including Best Picture), but PTA is apparently gonna start to shoot it soon, with the backing of Focus Features. After several movies with prestige locations and intricate production design, Film Twitter’s Holy Spirit will go back to the San Fernando Valley in the 1970s, to tell the story of a high school student who is also a successful child actor. -Stillwater: Tom McCarthy’s recent career is certainly puzzling. After delivering the weird lows of The Cobbler, he bounced back with the Best Picture winner that was Spotlight. And following that, he… helped produce the 13 Reasons Why series. And following that… he made Timmy Failure: Mistakes Were Made, a Disney+ original movie. Now, he’s back to the award race with a drama starring Matt Damon, who plays a father who rushes from Oklahoma to France to help his daughter (Abigail Breslin), who is in prison after being suspected for a murder she claims she didn’t commit. -West Side Story: To close things, we have to see one of the possible big contenders of the season, Steven Spielberg’s adaptation of the iconic musical that translates Romeo and Juliet to the context of a street gang war in 1950s New York. While the decision to adapt again something that has been a classic both in Broadway and in movie theaters almost 60 years ago is a challenge, the idea of Spielberg doing a musical closer to the stage version with Tony Kushner as the writer is too tempting for the average Academy voter, who is already saving a spot in major categories in case Steven nails it in December. However, there’s two question marks. First, how well will Ansel Elgort and newcomer Rachel Zegler stand out in the roles of Tony and Maria? And second, will In the Heights steal some of the thunder of this movie by being, you know, more modern?
DOSE: 0. 14 g Methamphetamine (daily) It's kinda odd that I'm up at eight in the morning and I'm alone. When I say alone I mean I'm not with my I don't know if its only where I live, but that is the name we call Crystal Meth. I will only call it Tina because it (the addiction) becomes an entity with whom a user forms a relationship with. I told my friend last night that I haven't had an actual relationship with a girl since I started using about a little over a year ago, and ironically I started right after I stupidly broke up with my loving girlfriend that wouldn't let me try it. My friend is probably my best friend, but ironically he has never tried any chemical drug before. He told me that he completely understood that because every single time a song would come on the radio that was obviously about a relationship, my meth friends and I would always compare it to Tina. I thought about that and knew he was completely right. We had been talking about this because he was telling me about his best friend that turned schizophrenic because of drugs. My friend lets me do what I want, but it hurts him to see me like this. My addiction is as bad as anyone elses on this board. True, I refuse to shoot it and true, I have never ODed, but I'm just not to that point yet. I am 20 years old and I have been using for like I said a year give or take a few months, I did quit for three months with absolutely no problem, with a catch. I randomly moved to Miami for a while where I was never able to find it. Miami is a cocaine city, and like I always say about that, even though it technically doesn't make any sense (probably because I made it up while I was binging) why pet the chihuahua when you can chill with rotweiler. My body didn't physically need it as I had always known. I came back to my city and the first time I hung out with one of my best friends a week later, I was doing it again. That was unfortunate because he was the only friend I still had because all of my close friends turned on another, went into a half-way house, jail, or just plain crazy. I had heard all of these stories while I was gone and I could not believe that that wasn't enough for my one friend to stop, but there I was doing it with him again. The worst part about it was I was the one that got almost all of the started because it was a way to get fucked up after we all had ridiculously high tolerances to exctasy. I think the best way for me to relay the strange trip from normal everyday potsmoking good student to demented, evil lunatic, or at least at times that's how I feel. Late June, 2001: I wanted to do some ecstasy randomly one day so I called my friend that I knew went to raves. I had only rolled twice before with long intervals between them so I thought it was OK so we went. It was one of the best days of my life. It was me and my girlfriend and my two best friends. Let me say this, raves are evil blackholes that 'can' suck anyone into its culture and spit you out into your everyday life with only an addiction as an everyday reminder of their evilness. Early July: Only a few days later I went to another rave only to buy more rolls, given I did buy a fake one only to buy another one later that was really shitty. August: After two intense months of rolling I foung myself actually writing a check for my sixth roll of the night/morning. Ridiculous Huh? September: Sometime during this month I broke up with my girlfriend and took acid for the first time and after still being up the next day I went to a rave the next night and took shrooms for the first time. Those were both decent crazy experiences in their own rights but nothing I felt like doing again anytime soon. I took three rolls at a party and didn't feel a thing when my friend took half of one of the same kind and rolled for six hours very hard. After realizing the ridiculous tolerance I had built I stopped wasting my money and since I breakdance was able to party sober and have fun. So much fun I even started going by myself when no one would go with me. November: I sniffed pure evil for the first time and didn't know it. I did half a quarter gram at home by myself and it lasted my all day. December: Started doing a little more peaking when I stayed up from Christmas Day to New Years Day. That was by far and still is a personal record but I built a tolerance that week. First week of March, 2002: I moved to Miami. I had been staying up at least 4 nonconsecutive days each week for two months and had two weekly meth parties every weekend at my duplex where we would meet at a rave, go in for about an hour and take about 6-20 people to my place and stay up all night sharing all our bags of meth. June: I came back to my home only to start doing it again within a week. Me and my friend and a new friend we made would split about a quarter gram every two weeks or so. September: I got back in touch with an old friend with a ridiculously cheap hook up that made getting it easier because to this day I have only once not been able to get it only because he was asleep. He is such a good friend that he will front it to me (only for personal, I'm not a drug dealer) or even hook it up if I've only got 10 bucks to spend. Keep in mind he is and always will be a friend first and dealer second. That is one reason it is hard to quit because I'm such good friends with my dealer. January 2003: I'm doing it more that ever now and have lost all of friends I had when I started or their parents won't let them hang out with me. I realized I had been up for a week with a nap and a meal somewhere in the middle. I let a girl that I really like try it and unfortunately when she finally went to sleep, she woke up wanting more. I AM NOT going to let her do it again. She has too much going for her with a 4. 0 in college. I am fortunate enough to still be in college by the way. I unlike many still have a lot going for me despite my addiction and I related that to my strong faith in God. That has always been the root of my soul that cannot be changed thus causing my personality to not change as most regular users I know. I'm going to leave you with this, I quit telling anyone I am ever going to quit a long time ago because I hate looking and feeling stupid when inevitably I fail, but I had an experience two nights ago that is going to make me at least try to quit now. I have a habit of picking at pimples on my face for up to hours literally until they cause week long disasters on my face. I had one on the corner of my ear where it connects to my head on the bottom. I fucked with it until it had become swollen and had a large bubble of fluid built up in my earlobe and under my skin about an inch in diameter on the side of my face. I messed with that for a while until I lost touch of the reality of what I was doing. At some point I forgot that this was fluid and moved it around until I literally thought there was a live insect or worm under my skin. I started hyperventilating and thought I was going to die. I woke up my roommate (my good friend from the first paragraph). He looked at me like I was crazy. I really scared him. I told him to take me to the hospital. He told me not to touch it and to just breathe for a minute. After a few failed attempts to prove it to him I realized he was right and I stopped fooling with it and just stood there realizing what a sketchball I was. True I continued touching it for three hours after he went back to sleep but I realized it was not an animal. I then slept for almost twenty four hours and here I am. If any of you are trying to quit like me, don't give up. I just quit cigarettes and I thought I would never be able to do that. And as I expected after doing some research, nicotine is more addictive than meth, the only reason people don't kill for it is because the can go buy it at the store. So there is hope. If you have just started or are thinking about it don't do it. Anyone that tells you it isn't addictive, or it is not addictive is lying to you. It is PURE EVIL and remember that. Exp Year: 2002 ExpID: 20470 Gender: Male Age at time of experience: Not Given Published: Nov 16, 2005 Views: 34, 753 [ View as PDF (for printing)] [ View as LaTeX (for geeks)] [ Switch Colors] Methamphetamine (37): Various (28), Loss of Magic (34), Post Trip Problems (8), Hangover / Days After (46), Depression (15), Addiction & Habituation (10), Train Wrecks & Trip Disasters (7), Health Problems (27), Difficult Experiences (5), Retrospective / Summary (11) COPYRIGHTS: All reports are copyright Erowid and you agree not to download or analyze the report data without contacting Erowid Center and receiving permission first. Experience Reports are the writings and opinions of the individual authors who submit them. Some of the activities described are dangerous and/or illegal and none are recommended by Erowid Center.
Reminds me of the movie; the pacifier with vin diesel which is pretty ironic since their both guardians of the galaxy. Remove your mask to be a true spy ninjas. Everyone knows the name. Me: WILL SMITH THE GENIE * 🧞♂️ Trailer: no. ugh its not the characters name but fine. Wasn't she the blue alien princess from that Luc Besson movie, Valerian and the City of 1,000 Planets. The wedding at the end of Shrek! Omg 😂. Shut up meg. seriously. 7:42 I AM BATMAN. 18:54 hahahaha i laughed so hard LOL.
Tell the spy ninjas. 
From the thumbnail he could do a Freddie Mercury. Best movie ever ❤️ top 10 of the all time. I saw this movie with my 4 daughters and we all Loved it! We are not professional movie reviewers or anything like that but absolutely enjoyed all the different emotions in this movie, it was Charming, Comical, Witty, Action Packed, Heart Warming, Suspenseful, and more! We also loved the relationship between David Batista & Chloe Coleman. just Precious, and their performances charming! There was some violence and language but nothing bloody or disgusting. Well marvel had their chance. this is the blackwidow movie they shoulf have made years ago.
Will Smith: It's spy time! Tom Holland: I'm about to bird this man's whole career. 0:42 I am NOT a special effects expert but. Linda Cardellini deserves more attention then we're giving her. So we not gonna talk about the guy looking in his pants and realizing his thing was gone Dude look up the Movie Trailer Abominable.
Writer: Evan Ambrose
Info Product of pollution and american society.
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